Architectural Tours of Monrovia
Thursday, November 14, 2013
Highlights of Bonham's African Art Auction, 14 November
Sunday, September 1, 2013
Global Entrepreneurship, Sub-Saharan Entrepreneurs
Thursday, May 24, 2012
Highlights of the African Art Auction at Sotheby's, 11 May 2012 (2 of 2 Posts)
LOT 113 DAN RITUAL CONTAINER IN SHAPE OF A RAM, IVORY COAST
ESTIMATE US$40,000-60,000 USD Lot Sold: US$68,500
CATALOGUE NOTE
Little is known about the function of these containers. Both containers have a worn surface on top. For the Ghent example the hypothesis has been suggested that it might have served as stool or neckrest. In general, both works seem too large for neckrests. While their sizes and general shape would not be uncommon for stools (cf. one previously in the Renee and Chaim Gross Foundation, Sotheby's New York, May 15, 2009, lot 42), they seem too refined for an object of daily use. Instead, it is conceivable to locate their function in a ritual context. This hypothesis is further supported by traces of palm oil on the offered lot's surface.
LOT 116 BAULE GONG BEATER, IVORY COAST
ESTIMATE US$7,000-10,000 Lot Sold: US$7,500
ESTIMATE US$40,000-60,000 Lot Sold: US$110,500
CATALOGUE NOTE
For a closely related figure see Leuzinger (1985: pl. 72b).
Made of African Elephant (Loxodonta africana) ivory, with Coconut shell inlay.
ESTIMATE US$100,000-150,000 Lot Sold: US$254,500
In his discussion of the offered lot on the occasion of the exhibition Africa, The Art of a Continent at the Guggenheim Museum in New York, Ekpo Eyo (in Phillips 1995: 138) noted: "Among the Owo-Yoruba, a red costume (orufaran) is worn by the highest ranking chiefs as a priviledge granted by the king (olowo). [...] It consists of a top shirt made of imported red flannel that is scalloped to resemble the scales of an anteater or pangolin. Like the scales of a pangolin, the costume protects its wearer from harm by rendering him invulnerable. Sewn onto the scalloped shirt are a series of carved ivory ornaments (omama) depicting powerful animals such as the ram, crocodile, leopard, or horse. [...] The ram omama shown here, one of a pair (the other is in the Metropolitan Museum of Art in New York [inv. no. "1991.17.123"]), probably came from the orufaran of the chief (ojomo) of Ijebu quarter, originally located on the outskirts of Owo town proper. [...] If he inherited the costume from the first ojomo, Oladipe, then it can be dated to the last quarter of the eighteenth century. The pair of omama were very likely made by the same carver."
Drewal (in Ross 1992, p. 199) continues: "Together with the elephant, the ram is the most important totem among the Yoruba. It is a sign of the preeminent power and aggressiveness of one who tolerates no rival."
Hahner-Herzog (1998: text to cat. 69) notes: "The rare masks of the Kwele, a little-investigated ethnic group of northeast Gabon and the adjacent area of the Republic of Congo, are associated with the Bwete association, which maintains social order. The masks are also used in initiation rites and at the end of periods of mourning. Representing benevolent forest spirits, they have zoomorphic or anthropomorphic traits, or a combination of the two. The faces are usually painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil."
openwork, resembling the hilt of a knife. Several related works are known: see one in the Seattle Art Museum (inv. no. "67.53"); and another offered at Sotheby's Paris, December 5, 2003, lot 112. All share in common small pieces of metal which preclude the presence of a blade where it would be expected, and indeed seem too thin and broad to be handles. These metal pieces were seemingly for the addition of an unknown attachment though none with any such attachment is known. Although the specific use of this enigmatic object remains a mystery, the layered patina attests to its function within sacred ceremonies, as the refined quality of the sculpture does to its ritual importance.
ESTIMATE US$6,000-9,000
LOT 191 BEMBE JANUS HELMET MASK FOR THE ALUNGA SOCIETY, DEMOCRATIC REPUBLIC OF THE CONGO echawokaba/echwaboga.
Discussing a related mask in the Musée Barbier-Mueller, Geneva, Hahner-Herzog (1998: text to cat. 96) notes: "This mask represents a type of mask which, according to the Bembe, goes back to the Bahonga, a hunting and gathering people whose collecting of honey is said to have been done under the tutelage of this mask. With the Bembe it is called ibulu lya alunga or echwaboga, represents a bush spirit (m'ma mwitu), and belongs to the accessories of the hierarchically ordered Alunga men's association. The mask is used during acceptance ceremonies for new, usually young members, as well as in hunting rites. For public appearances the carved helmet is decorated with an elaborate headdress of feathers and porcupine (ehala) quills, and a neck fringe of fibers. The dancer is clad in a multilayered fiber costume (asamba). These impressive Alunga masks are invariably conceived in the form of cylindrical helmets with two, as it were, Janus faces, whose black rhombic or cross-shaped eyes with protruding pupils are set in large oval hollows painted white. Due to these striking facial features the masks have been interpreted as representing owls, with which the masqueraders in fact occasionally identify. In addition, the two faces are intended to invoke the all-seeing nature of the mask spirit, a capacity which enables him to reconcile the opposing forces of nature, such as male/female or day/night."
ESTIMATE US$25,000-35,000 Lot Sold: US$26,875
PROPERTY FROM THE COLLECTION OF ZAFRIRA AND ITZHAK SHOHER, TEL AVIV
ESTIMATE US$6,000-9,000
ESTIMATE US$70,000-100,000 Lot Sold: US$86,500
The morphology of these rare statues references both male and female characteristics, with the swollen, pregnant belly, and the elongated phallic beak. A related figure is in the Metropolitan Museum of Art, New York (inv. no. "1978.412.382").
ESTIMATE US$25,000-35,000
ESTIMATE US$10,000-15,000 Lot Sold: US$25,000
Thursday, May 17, 2012
Paula Scher's Map of Africa
Thursday, June 30, 2011
Mines and Undermining Minors who Mine Them
Thursday, May 19, 2011
Just How Easy (or Hard) Is it To Get African Visas?

To increase its share of the tourism business, Africa will have to liberalize air flight and visa regimes. In the formerly communist country of Georgia, for example, it is not necessary to acquire a visa for visitors who come from countries with a GDP per capita of $10,000 or more. Compare the Georgian system to the difficulty of entering many African countries or, for that matter, the difficulty of leaving African countries like the Democratic Republic of Congo, where one has to run a gauntlet of security and other checks—informal and formal.
I wonder how many visitors from rich coun- tries to Africa have been put off by the challenge of just getting to the continent or getting a visa. Yet I suspect that few, if any, overstay their welcome. The number of tourists to Georgia has nearly quintupled from 2003 to 2009—a war with Russia notwithstanding.
Mauritanian visas require an invitation or sponsor, can take up to several months to process, and must be obtained prior to travel.




































